UsherRaymondBlog.3 singles promotionnels seront lancés sur Itunes:There Goes My Baby,More et Little Freak. An Unknown PhotoShoot has surfaced earlier today.I supposed it is promo pictures for Raymond Vs Raymond. It has peaked at number 34 on the Hot R&B/Hip-Hop Songs chart based on airplay alone.ĭont foget to pre order your copy of Raymond Vs Raymond!Ĭette information ne concerne que le public américain “ Lil’ Freak”featuring Nicki Minaj will be the third promo single, to be released on March 16, 2010. On Novema Domestic Violence case was filed by Raymond, Rosanna J, represented by against Raymond, Christopher Robert, represented by in the jurisdiction of King County, WA.A promo video was shot, it is intercut with scenes used to promote the game and Usher performing the song with stage lights behind him. Fans are given the chance to watch both videos and vote for their favorite. Also, two videos for the song were shot in December 2009 by two all-teen film crews as part of the Body By Milk Got Noise? program. The song is being used to promote the 2010 NBA All-Star Game Usher performed the song at the NBA 2010 All Star game at the Dallas Cowboys stadium on February 14, 2010. “More” will be the second promo single, to be released on March 2, 2010.It was released on iTunes on February 9 but removed. These promotional singles should not be confused with ordinary singles: There Goes My Baby was the first promotional single. It was released on iTunes on February 9 but removed shortly after and then added back on February 16.It has reached a current peak at number 29 on the US R&B/Hip-Hop chart. Prior to the release of the album, three promotional singles were released exclusively on Apple’s iTunes Store as a Countdown to Raymond v. “There Goes My Baby” was the first promotional single.These promotional singles should not be confused with ordinary singles:
“Mars vs Venus,” a very slow jam, soars, while “Pro Lover” is a breezy, casual number filled with sweet dub accents.Prior to the release of the album, three promotional singles were released exclusively on Apple’s iTunes Store as a “Countdown to Raymond v.
Two of the best happen to be collaborations with Jam and Lewis and the Avila Brothers. (The combination is as wrong as Eugene McDaniels' “Compared to What” and a soft drink commercial.) Otherwise, the slow jams and the few moments when Usher sounds as if he's having actual fun win out. (Either way, it’s evident that long-term relationships might not be for him.) The sleek dancefloor track “So Many Girls,” one of a few songs in which Usher sounds dead in the eyes, going through the motions, desensitized by the bounty of women at his feet, is followed by the sarcastically titled “Guilty,” where he whines “I guess I’m guilty for wanting to be up in the club” - which warrants a response like “Yes, attached 31-year-old man, that’s correct.” A few songs before that is a quasi-redemptive ballad “Foolin’ Around " he humbles himself, seems to take responsibility for his actions, then casually drops “Guess that’s just the man in me, blame it on celebrity.” The album’s catchiest uptempo song, “Lil Freak,” featuring Nicki Minaj, is effective despite itself, swiping the synthesizer line from “Living for the City” - a classic containing Stevie Wonder's most angered social commentary - for the sake of Usher’s lesbian tryst. Many of the songs on the album have to be taken on their own, stripped of context otherwise, determining what applies to Usher's real and fantasy lives can be problematic. He pours himself into that song more than any other on the set, and breakup lyrics don’t get much more specific than “You don’t think I know what’s up, but sweetheart that’s what ruined us” or “I done damn near lost my mama.” The song was awarded the top spot on the R&B/Hip-Hop chart, most likely for its lyrical uniqueness since the song does not break out of an exceptionally repetitive twiddle. “Papers,” the early buzz single for Raymond V Raymond, bears the closest relation to the turbulence he experienced. The making of Usher’s sixth studio album was inevitably affected by the end of his marriage and its aftershocks.